from "1001 Nights: A Rock Opera"

Teaching young women from red light district in Mumbai

Dead Ancestors Walk Again

From our 1st production "Come Undone" the piece explored stereotypes about African American women

"In Gold We Trust"

We even do weddings!

...from "1001 Nights: A Rock Opera"

Kandakes painted the faces of community members as a way of remembering all our ancestors who experienced imperialism, colonialism, genocide and/or slavery

Kandakes painted the faces of community members as a way of remembering all our ancestors who experienced imperialism, colonialism, genocide and/or slavery

A photography series inspired by "The Re-birth of Venus"

Aunt Sarah passes out fried chicken and shines shoes.

Free Business Bananas were a hit!

...from "1001 Nights: A Rock Opera"

Because no warrior-priestess is complete without a sword

Kandakes painted the faces of community members as a way of remembering all our ancestors who experienced imperialism, colonialism, genocide and/or slavery

From our first production "Come Undone," the piece explored themes of tradition, personal strength and gender fluidity

...from "1001 Nights: A Rock Opera"

...from "1001 Nights: A Rock Opera"

...from "Air"

A piece about colonialism and orientalism was done at the largest "belly dance" festival in North America.

Kandakes painted the faces of community members as a way of remembering all our ancestors who experienced imperialism, colonialism, genocide and/or slavery

Explores the subjugation, abuse and revival of the Goddess, women and nature

Kandakes painted the faces of community members as a way of remembering all our ancestors who experienced imperialism, colonialism, genocide and/or slavery

Kandakes painted the faces of community members as a way of remembering all our ancestors who experienced imperialism, colonialism, genocide and/or slavery

From our first production "Come Undone," the piece explored stereotypes about African-American women

Brown Female Bodies under White Eyes

From "Come Undone" exploring queer female relationships and the awkwardness of "coming out" and of age

From "Come Undone" exploring stereotypes about Middle Eastern, South Asian and Muslim populations

A double-faced kami of Spring!

From "Come Undone" exploring apathy in the general population

Kandakes painted the faces of community members as a way of remembering all our ancestors who experienced imperialism, colonialism, genocide and/or slavery

From "Come Undone"

Explores "becoming a woman" for girls of different ethnic and gender backgrounds

Explores "becoming a woman" for girls of different ethnic and gender backgrounds

Explores "becoming a woman" for girls of different ethnic and gender backgrounds

Explores "becoming a woman" for girls of different ethnic and gender backgrounds

Deals with the awkwardness of young women in relationships and societal expectations

@ the Best Buy Theater

Showing off (no hands)

from "1001 Nights: A Rock Opera"

Teaching young women from red light district in Mumbai

Dead Ancestors Walk Again

From our 1st production "Come Undone" the piece explored stereotypes about African American women

"In Gold We Trust"

We even do weddings!

...from "1001 Nights: A Rock Opera"

Kandakes painted the faces of community members as a way of remembering all our ancestors who experienced imperialism, colonialism, genocide and/or slavery

Kandakes painted the faces of community members as a way of remembering all our ancestors who experienced imperialism, colonialism, genocide and/or slavery

A photography series inspired by "The Re-birth of Venus"

Aunt Sarah passes out fried chicken and shines shoes.

Free Business Bananas were a hit!

...from "1001 Nights: A Rock Opera"

Because no warrior-priestess is complete without a sword

Kandakes painted the faces of community members as a way of remembering all our ancestors who experienced imperialism, colonialism, genocide and/or slavery

From our first production "Come Undone," the piece explored themes of tradition, personal strength and gender fluidity

...from "1001 Nights: A Rock Opera"

...from "1001 Nights: A Rock Opera"

...from "Air"

A piece about colonialism and orientalism was done at the largest "belly dance" festival in North America.

Kandakes painted the faces of community members as a way of remembering all our ancestors who experienced imperialism, colonialism, genocide and/or slavery

Explores the subjugation, abuse and revival of the Goddess, women and nature

Kandakes painted the faces of community members as a way of remembering all our ancestors who experienced imperialism, colonialism, genocide and/or slavery

Kandakes painted the faces of community members as a way of remembering all our ancestors who experienced imperialism, colonialism, genocide and/or slavery

From our first production "Come Undone," the piece explored stereotypes about African-American women

Brown Female Bodies under White Eyes

From "Come Undone" exploring queer female relationships and the awkwardness of "coming out" and of age

From "Come Undone" exploring stereotypes about Middle Eastern, South Asian and Muslim populations

A double-faced kami of Spring!

From "Come Undone" exploring apathy in the general population

Kandakes painted the faces of community members as a way of remembering all our ancestors who experienced imperialism, colonialism, genocide and/or slavery

From "Come Undone"

Explores "becoming a woman" for girls of different ethnic and gender backgrounds

Explores "becoming a woman" for girls of different ethnic and gender backgrounds

Explores "becoming a woman" for girls of different ethnic and gender backgrounds

Explores "becoming a woman" for girls of different ethnic and gender backgrounds

Deals with the awkwardness of young women in relationships and societal expectations

@ the Best Buy Theater

Showing off (no hands)